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讲座内容简介：

西藏绘画风格的体系与分类

西藏绘画风格是指具有特定可辨识要素和特征的视觉体系，其线条、设色与构图均遵循统一范式。当多幅绘画作品呈现相同风格时，即意味着它们共享可被视觉识别的要素和核心特征。某种绘画风格通常由某位画师首创，后经作坊弟子群摹习推广，有时获得寺院或某机构的大力资助。重要绘画风格在历史进程中不断演变，那些重要的或具有持续影响力的风格最终形成固定传统。值得注意的是，藏语中"风格"（lugs）与"传统"（lugs）两个术语常被混用，导致概念混淆。本次讲座将结合丰富图像实例，历时性梳理西藏绘画风格与传统体系的演变脉络。

Structure & Classification of Tibetan Painting Styles

A style of Tibetan painting means a specific appearance with certain identifiable elements and characteristics in addition to consistent drawing, colour and composition. If several paintings have the same style it means they have shared visually recognizable elements and characteristics. Painting styles are usually created by a single artist and later copied and promoted by an atelier comprising a number of students, sometimes well funded by an institution, or a temple or monastic complex. Over time, painting styles, the few important or influential ones, inevitably change and if popular and sustaining eventually become traditions. The two Tibetan terms of 'style' and 'tradition' have commonly been used interchangeably in a very confused manner. Both Tibetan painting styles and traditions will be explored chronologically along with a wealth of visual examples.

主讲人简介：

杰夫·瓦特（Jeff Watt），美国纽约喜马拉雅艺术资源中心主任、首席策展人，国际知名唐卡鉴赏专家。曾任纽约鲁宾美术馆馆长、首席策展人。主要研究方向为喜马拉雅艺术、汉藏艺术交流等。出版有Bon: The Magic Word (with Samten Karmey), Embodying Enlightenment: Buddhist Art of Himalayas (with W. Arader) 等著作和近百篇论文、图录说明，策划展览 “Female Buddhas, Women of Enlightenment in Himalayan Art”, “Red, Black and Gold”, “The Power of Silence” 等十余场。曾多次应邀在牛津大学、维也纳大学、四川大学等地讲学讲座。